WORKS | Parimahaavani

top of page

PARIMAH AVANI

A Cedar Letter to Non-human Spirits, 2025, cedar powder (from fallen tree) on ground, approx. 20 × 14 m × 3 cm (787 × 551 × 1.18 in), Manitoulin Island, CA

A Cedar Letter, 2025, Snail Slow Culture, Manitoulin Eco Park, Manitoulin Island, Canada

A Cedar Letter to Non-human Spirits, 2025, cedar powder (from fallen tree) on ground, approx. 20 × 14 m × 3 cm (787 × 551 × 1.18 in), Manitoulin Island, CA

A Cedar Letter, 2025, Snail Slow Culture, Manitoulin Eco Park, Manitoulin Island, Canada

Archaeology of Resistance, 2024, rice husk, earth, transparent glass, site-specific installation spanning approximately 300 m across multiple rooms, MAVO Archaeological Museum, Livorno Ferraris, IT

Fragments of Resistance, MAVO Archaeological Museum, Livorno Ferraris, Italy

Archaeology of Resistance, 2024, rice husk, earth, transparent glass, site-specific installation spanning approximately 300 m across multiple rooms, MAVO Archaeological Museum, Livorno Ferraris, IT

Fragments of Resistance, MAVO Archaeological Museum, Livorno Ferraris, Italy

Fragments of Resistance

Weight of the Waters, 2024, Sumi ink and acrylic on transparent fabric (hanging), salt, earth, transparent glass, bottles (on the ground), 400 × 2000 × 1000 cm (157.5 × 787.4 × 393.7 in), Genoa, Italy

Decolonization of Mundi Festival, Biblioteca Universitaria, Genova, Italy

Weight of the Waters, 2024, Sumi ink and acrylic on transparent fabric (hanging), salt, earth, transparent glass, bottles (on the ground), 400 × 2000 × 1000 cm (157.5 × 787.4 × 393.7 in), Genoa, Italy

Decolonization of Mundi Festival, Biblioteca Universitaria, Genova, Italy

Weight of the Waters

Zama Zama: Kilometres of Invisible Skins, 2025, metals, hemp threads, transparent textile, ink, acrylic, soil, mining dump, 220 × 100 × 200 cm (86.6 × 39.4 × 78.7 in), Johannesburg, South Africa

Absent Matter(s), New Futures, Johannesburg, South Africa

Collection of Initiatives of Change, Virginia, USA

Photography: Rohit Valecha

Zama Zama: Kilometres of Invisible Skins, 2025, metals, hemp threads, transparent textile, ink, acrylic, soil, mining dump, 220 × 100 × 200 cm (86.6 × 39.4 × 78.7 in), Johannesburg, South Africa

Absent Matter(s), New Futures, Johannesburg, South Africa

Collection of Initiatives of Change, Virginia, USA

Photography: Rohit Valecha

Zama Zama: Kilometres of Invisible Skins

Atlas Dome (The Trilogy of Eternal Condemnation), 2024, site-specific installation with wood, palm leaves, animal skulls and bones, rope, restoration gauze, fabric, stones, and water system tube (materials gathered from the island’s burnt landscapes, marked by forest fires and animal deaths caused by climate change), dome diameter 400 cm (157.5 in), Evia, Greece

No Direction Home, LOOP, Evia, Greece

Atlas Dome (The Trilogy of Eternal Condemnation), 2024, site-specific installation with wood, palm leaves, animal skulls and bones, rope, restoration gauze, fabric, stones, and water system tube (materials gathered from the island’s burnt landscapes, marked by forest fires and animal deaths caused by climate change), dome diameter 400 cm (157.5 in), Evia, Greece

No Direction Home, LOOP, Evia, Greece

The Trilogy of Eternal Condemnation

History of Invisible Histories, 2024, Sumi ink and acrylic on cut layers of transparent fabric, mounted on wooden panel with fine pins, 300 × 1000 cm (118.11 × 393.7 in), Turin, Italy

Mycelium, La Nature Festival, 2024, Liege, Belgium

Manchester day Festival, Zephyra, 2024, Manchester, UK

History of Invisible Histories, Aorta, Pisa, Italy

Fluida, Non Una di Meno Festival, 2024, Cuneo, Italy

History of Invisible Histories, 2024, Sumi ink and acrylic on cut layers of transparent fabric, mounted on wooden panel with fine pins, 300 × 1000 cm (118.11 × 393.7 in), Turin, Italy

Mycelium, La Nature Festival, 2024, Liege, Belgium

Manchester day Festival, Zephyra, 2024, Manchester, UK

History of Invisible Histories, Aorta, Pisa, Italy

Fluida, Non Una di Meno Festival, 2024, Cuneo, Italy

History of Invisible Histories

Broken Pieces,2025, installation, Persian ink on broken glass fragments in miniature glass bottles, variable heights, approximate footprint 10 × 8 × 1.5 cm (3.9 × 3.1 × 0.6 in), Manitoulin Island, Canada

VAZIOsobreTERRA, 2025, MABE Art Museum, Belém, Brazil

Broken Pieces,2025, installation, Persian ink on broken glass fragments in miniature glass bottles, variable heights, approximate footprint 10 × 8 × 1.5 cm (3.9 × 3.1 × 0.6 in), Manitoulin Island, Canada

VAZIOsobreTERRA, 2025, MABE Art Museum, Belém, Brazil

Identity's Maze (installation view), 2024, foam, wire, fence, metal tubes, soil, jute, gauze, acrylic and charcoal, cardbord, 800 × 500 × 500 cm (315 × 196 × 196 in), Halesworth, UK

The Summer Project, The Cut, Halesworth, UK

Photography: Sebastian Wehrstedt

Identity's Maze (installation view), 2024, foam, wire, fence, metal tubes, soil, jute, gauze, acrylic and charcoal, cardbord, 800 × 500 × 500 cm (315 × 196 × 196 in), Halesworth, UK

The Summer Project, The Cut, Halesworth, UK

Photography: Sebastian Wehrstedt

Shaman Sings the Silvery Song of Woman-Moon, 2023, Sumi and Persian ink, acrylic and charcoal on Chinese Xuan rice paper roll with applied Papyrus, 1200 × 100 cm (472 × 39 in), Plettenberg, DE

Heroine’s Journey, Werkstatt Plettenberg, Sparkasse, Plettenberg, Germany

Shaman Sings the Silvery Song of Woman-Moon, 2023, Sumi and Persian ink, acrylic and charcoal on Chinese Xuan rice paper roll with applied Papyrus, 1200 × 100 cm (472 × 39 in), Plettenberg, DE

Heroine’s Journey, Werkstatt Plettenberg, Sparkasse, Plettenberg, Germany

Heroine’s Journey

.pro-gallery-wix-wrapper {display: block !important;} .pro-gallery-wix-wrapper .gallery-item-container {opacity: 1 !important; display: block !important;}

bottom of page